This has to be one of the most important lessons.
Having lived as an only child for almost a decade, I’d learnt to be my own best friend at a very young age. But I found sisterhood in other little girls.
As a child, I recall waiting backstage for hours before showtime and together with the other little girls, we would play low-maintenance kiddy games such as “chop chilli” or “zero point” to kill time in our horrid stage make-up and costumes. Other times, we would sit around the instructors or older kids who would tell us ghost stories which would make us so freaked out that we would go to the bathroom in twos and threes after each scary tale.
Whatever the activity, we always had a lot of fun. Since little girls have practically no problems (besides homework and exams), we didn’t share woes about men/ family/ work so there was no need for us to pour our hearts out when we sit together but the feeling of being part of a troupe was a grand experience for an only child.
It’s like having sisters.
We didn’t choose to be part of the same dance troupe. We were thrown into the mix together because it was a school activity so we had to make do and try to coexist – we'd practice, warm up and dance together. We'd also get punished together for misbehavior. Sometimes, we don’t get along but we know that we have to make up and make do - because it is part of sisterhood.
My real sister came along when I was 11 and today, I consider her one of my best friends. She has seen me as the geek, the bully and the meek but still she loves me as her sister. And likewise, I love my sister, butt and all ;)
Along the way, I found other sisters – in school, in dance, at work, in faith and sometimes in taxi queues. They have all been part of my life’s journey. Sisters serve as my voices of reason: they lift my spirit when I am down, they sit and hear me rant, offering their shoulders to cry on with no prejudice and some sisters even stick up for you – even when they know that you are in the wrong - simply because they are your sisters.
Men sit together and bond but sisters bare their souls through sharing their experiences.
Sisters are important to a woman’s growth in life. They teach you about female loyalty, about the importance of admitting to your mistakes, about self-acceptance, about family, about multi-tasking and most importantly, sisters teach you about the beauty of being a woman.
That’s the magic of the yaya sisterhood.
I am glad that I have sisters :)
Ps. Thank you sisters. This is for you :)
Saturday, May 29, 2010
Thursday, May 27, 2010
Dance With Me [V]: Always Stand Tall
Have you ever noticed the difference in the times you slouch versus the times when you stand with your back straight? I feel a distinct difference when I keep my spinal column erect – more positive and confident but most importantly, a sense of pride.
For the first two months under Mdm Lee Shu Fen, my first dance teacher, I remembered three key daily tasks – stand tall, chest out, chin up. I figured out why later – all these verbal commands that rang in my head for the rest of my life led to good posture, which were fundamental to finding your body’s centre of gravity – very important in dance. Mdm Lee used to say that if we remember these three commands in our daily lives, we would always walk with a sense of pride.
“Be proud of who you are”. She used to say to us in Mandarin…
Having a sense of pride is important. I am proud of my country and abhor peers who openly criticize my nation in front of foreigners. I once heard a young Singaporean exchange student exclaim to her Swedish peers in a crowded Ya Kun (the local coffeeshop), “Singaporeans are so stupid. They love to queue… dunno why they are like that!”
Such a silly girl! She was shaming HERSELF by critisicing her own countrymen!
I have travelled extensively and did part of my education out of the country of my birth and I am thankful each time I return home. These were the shores where my South Chinese forefathers settled on four generations ago and there must be a reason why they didn’t return - not to China, not to Indonesia, where they first landed and stayed for a few years. Our family found stability (and no racial discrimination nor corruption) in this city-state - just as I feel a sense of security, comfort and acceptance in this tiny red dot.
My countrymen have no qualms about me lasping into my “la” and “le”, the common Singlish (Singapore English) expressions that stemmed from Bahasa Melayu and Mandarin. I speak a splatter of English, Mandarin, Hokkien, (bad) Cantonese and order my food at the local nasi padang stall with no issues in my lousy Bahasa Melayu.
In spite of being trained to be assertive, having worked in multinationals for the last decade, I have no issues relegating into my Asian roots when I address my peers in Japan and Thailand as “san” and “khun” and politely ask for help rather than DEMAND for things to happen.
Regardless of the number of foreign performing arts group that visit my city-state, I will still give my support to the local artistes - I respect them for their courage in pursuing their dreams and for believing in their art.
I once bumped into a former uni mate, who is Singaporean-Chinese married to a Frenchman, at the now defunct Kallang Stadium when Chang & Eng (a real story of the ill-fated Siamese twins) was showing and her exact words were: “We bought the cheapest tickets because this is a an ALL Asian/ Singaporean caste.”
My theatre companion then was a Singaporean-Chinese guy, who bought us tickets in the front few rows, just because it was an ALL Asian caste. Chang & Eng also turned out to be the MOST touching and unforgettable musicals I’d ever watched.
Yes. We are a very young nation - we may not have the best athletes and the best artistes in the world but all systems have faults. Having grown up in the 80s when the “No Spitting, or FINE S$1000” campaign was in force in my country and having witnessed the spread of SARS in Asia in 2003, I am a firm believer that there is a reason behind the madness.
In a short span of 45 years, my country has emerged as the world's fourth leading financial centre and it's economy is often ranked amongst the world's top ten most open, competitive and innovative. My motherland is also a highly cosmopolitan World City, with a key role in international trade and finance. I grew up with some great friends who are non-Chinese because Singapore has a diverse population made up of Chinese, Malays, Indians, Asians and Caucasians of different ethnic origins.
I feel a sense of pride, and stand a tad bit taller each time I clear the customs at the Singapore Changi International Airport, knowing that all I need to do to get home is to insert my passport through the electronic scanner and that many other people in the undeveloped world would kill to me in my shoes, not to mention OWN my passport.
For the first two months under Mdm Lee Shu Fen, my first dance teacher, I remembered three key daily tasks – stand tall, chest out, chin up. I figured out why later – all these verbal commands that rang in my head for the rest of my life led to good posture, which were fundamental to finding your body’s centre of gravity – very important in dance. Mdm Lee used to say that if we remember these three commands in our daily lives, we would always walk with a sense of pride.
“Be proud of who you are”. She used to say to us in Mandarin…
Having a sense of pride is important. I am proud of my country and abhor peers who openly criticize my nation in front of foreigners. I once heard a young Singaporean exchange student exclaim to her Swedish peers in a crowded Ya Kun (the local coffeeshop), “Singaporeans are so stupid. They love to queue… dunno why they are like that!”
Such a silly girl! She was shaming HERSELF by critisicing her own countrymen!
I have travelled extensively and did part of my education out of the country of my birth and I am thankful each time I return home. These were the shores where my South Chinese forefathers settled on four generations ago and there must be a reason why they didn’t return - not to China, not to Indonesia, where they first landed and stayed for a few years. Our family found stability (and no racial discrimination nor corruption) in this city-state - just as I feel a sense of security, comfort and acceptance in this tiny red dot.
My countrymen have no qualms about me lasping into my “la” and “le”, the common Singlish (Singapore English) expressions that stemmed from Bahasa Melayu and Mandarin. I speak a splatter of English, Mandarin, Hokkien, (bad) Cantonese and order my food at the local nasi padang stall with no issues in my lousy Bahasa Melayu.
In spite of being trained to be assertive, having worked in multinationals for the last decade, I have no issues relegating into my Asian roots when I address my peers in Japan and Thailand as “san” and “khun” and politely ask for help rather than DEMAND for things to happen.
Regardless of the number of foreign performing arts group that visit my city-state, I will still give my support to the local artistes - I respect them for their courage in pursuing their dreams and for believing in their art.
I once bumped into a former uni mate, who is Singaporean-Chinese married to a Frenchman, at the now defunct Kallang Stadium when Chang & Eng (a real story of the ill-fated Siamese twins) was showing and her exact words were: “We bought the cheapest tickets because this is a an ALL Asian/ Singaporean caste.”
My theatre companion then was a Singaporean-Chinese guy, who bought us tickets in the front few rows, just because it was an ALL Asian caste. Chang & Eng also turned out to be the MOST touching and unforgettable musicals I’d ever watched.
Yes. We are a very young nation - we may not have the best athletes and the best artistes in the world but all systems have faults. Having grown up in the 80s when the “No Spitting, or FINE S$1000” campaign was in force in my country and having witnessed the spread of SARS in Asia in 2003, I am a firm believer that there is a reason behind the madness.
In a short span of 45 years, my country has emerged as the world's fourth leading financial centre and it's economy is often ranked amongst the world's top ten most open, competitive and innovative. My motherland is also a highly cosmopolitan World City, with a key role in international trade and finance. I grew up with some great friends who are non-Chinese because Singapore has a diverse population made up of Chinese, Malays, Indians, Asians and Caucasians of different ethnic origins.
I feel a sense of pride, and stand a tad bit taller each time I clear the customs at the Singapore Changi International Airport, knowing that all I need to do to get home is to insert my passport through the electronic scanner and that many other people in the undeveloped world would kill to me in my shoes, not to mention OWN my passport.
Wednesday, May 26, 2010
Dance With Me [IV]: Blindfold Yourself
If you are a salsara or simply a person with your own mind, you would be able to identify with this post best.
I am both of the above. I have always enjoyed shopping alone because I tend to think that I don’t need a second opinion.
Why complicate simple things with contradictions?
I picked up Salsa, Bachata and Merengue in 2005, after my Jazz instructor Dino quit the scene. I figured it was time for me to try something different, to get a life out of my consultancy job which sucked the soul out of me.
Thus, I signed up for my first Salsa class with one of the bankers that I was working on the same project with.
This was what I was told on my first lesson.
“Ladies, allow yourself to be led.”
*GASP!*
Salsa, for a female, requires one to literally be blindfolded. I am not kidding. But it really required me to allow my partner to guide and lead me and permit myself to be half a step behind.
Coming from a dance background where I was trained to find my own centre of gravity and to figure out biomechanics through trial and error on my own, this was not easy. I trusted no one but myself – I once did, until a dance partner let me go in mid-air when I was unaware and I ended up with an injured ankle.
Take the above metaphorically.
Until today, I have issues trying to follow any man that asks me for a dance. I need more than one whiskey on the rocks to let myself be led with no resistance on the dance floor.
I got through lessons 1,2,3,4,5 and led almost every single man that I partnered with. Then I graduated into level two and three and after a number of impromptu invites to Union Square, the local Salsa club, I figured that I was hard to lead - a number of men have told me that.
But.
I have found partnerships in a few good and rare men. Some of whom have the capacity to truly lead and gave me the sense of security to let myself to be led. These were the rare occasions where I allowed myself to be blindfolded and see where the music takes me.
The experience is different but it feels nice to be led, on my own free will sometimes.
I am both of the above. I have always enjoyed shopping alone because I tend to think that I don’t need a second opinion.
Why complicate simple things with contradictions?
I picked up Salsa, Bachata and Merengue in 2005, after my Jazz instructor Dino quit the scene. I figured it was time for me to try something different, to get a life out of my consultancy job which sucked the soul out of me.
Thus, I signed up for my first Salsa class with one of the bankers that I was working on the same project with.
This was what I was told on my first lesson.
“Ladies, allow yourself to be led.”
*GASP!*
Salsa, for a female, requires one to literally be blindfolded. I am not kidding. But it really required me to allow my partner to guide and lead me and permit myself to be half a step behind.
Coming from a dance background where I was trained to find my own centre of gravity and to figure out biomechanics through trial and error on my own, this was not easy. I trusted no one but myself – I once did, until a dance partner let me go in mid-air when I was unaware and I ended up with an injured ankle.
Take the above metaphorically.
Until today, I have issues trying to follow any man that asks me for a dance. I need more than one whiskey on the rocks to let myself be led with no resistance on the dance floor.
I got through lessons 1,2,3,4,5 and led almost every single man that I partnered with. Then I graduated into level two and three and after a number of impromptu invites to Union Square, the local Salsa club, I figured that I was hard to lead - a number of men have told me that.
But.
I have found partnerships in a few good and rare men. Some of whom have the capacity to truly lead and gave me the sense of security to let myself to be led. These were the rare occasions where I allowed myself to be blindfolded and see where the music takes me.
The experience is different but it feels nice to be led, on my own free will sometimes.
Sunday, May 23, 2010
Dance With Me [III]: I Believe in Butterflies
Have you ever felt butterflies? The fluttery sensation you get in your stomach before you step on stage, before a presentation, before an interview, the feeling you get when you come face to face with the person of your dreams.
My first “butterflies” experience was when I was about eight. It was my first dance performance. When I stood waiting in my wing to make my entrance, I felt a strange sensation - a fluttery feeling in my stomach.
It's the butterflies.
I willed them to go away but they stayed, fluttering their wings to the pitter-patter of my fast beating heart.
Then, the music started and something, almost a supernatural force took over. I entered a realm that I’d never known, and I saw, heard and felt only the energy that emanated from the bodies on the stage that I was part of. It was as if I was in a trance. So absorbed into the music, the rhythm and beat of the tapping and stomping of feet, the movement of the bodies was I that I only came to my senses when the music stopped and the applause came.
That was the awakening - the mysterious butterflies that takes you into an unknown, unexplained zone.
Throughout my adult life, I used the butterflies as my gauge. In work and in relationships, the butterflies told me whether or not I am steering towards the right realm. Logic can only give me the facts and figures but butterflies tell me how my soul feels.
I dropped out of business accounting when I was 17 even though it was considered an elite programme in one of the best tertiary institutions in town. Ledgers and balance sheets didn’t give me butterflies. But I found something better the year I turned 19 – my current profession and I love what I do - exploring angles and selling a story still gives me butterflies, even after so many years. I still get a high when I see the stories I’d pitched getting published, on TV, talked about on the internet. And I still feel the thrill when I see a person I’d profiled appearing in the pages of a magazine. I don’t need the fame myself because I feel like a million bucks when I see my hard work in the media.
Waking up one day to realize that “forever and ever” is hell of a long time and that the person whom I was engaged to did not give me butterflies was another awakening.
The mysterious butterflies can never be properly explained but I know that they are there as a barometer - they appear when my soul sings and soars with every tune that makes my heart beat and miraculously disappears when there is an eclipse.
Do you believe in butterflies?
I do.
And I think that the mysterious butterflies are there in all of us but it is up to the individual to recognize their existence - so that they can come to life.
My first “butterflies” experience was when I was about eight. It was my first dance performance. When I stood waiting in my wing to make my entrance, I felt a strange sensation - a fluttery feeling in my stomach.
It's the butterflies.
I willed them to go away but they stayed, fluttering their wings to the pitter-patter of my fast beating heart.
Then, the music started and something, almost a supernatural force took over. I entered a realm that I’d never known, and I saw, heard and felt only the energy that emanated from the bodies on the stage that I was part of. It was as if I was in a trance. So absorbed into the music, the rhythm and beat of the tapping and stomping of feet, the movement of the bodies was I that I only came to my senses when the music stopped and the applause came.
That was the awakening - the mysterious butterflies that takes you into an unknown, unexplained zone.
Throughout my adult life, I used the butterflies as my gauge. In work and in relationships, the butterflies told me whether or not I am steering towards the right realm. Logic can only give me the facts and figures but butterflies tell me how my soul feels.
I dropped out of business accounting when I was 17 even though it was considered an elite programme in one of the best tertiary institutions in town. Ledgers and balance sheets didn’t give me butterflies. But I found something better the year I turned 19 – my current profession and I love what I do - exploring angles and selling a story still gives me butterflies, even after so many years. I still get a high when I see the stories I’d pitched getting published, on TV, talked about on the internet. And I still feel the thrill when I see a person I’d profiled appearing in the pages of a magazine. I don’t need the fame myself because I feel like a million bucks when I see my hard work in the media.
Waking up one day to realize that “forever and ever” is hell of a long time and that the person whom I was engaged to did not give me butterflies was another awakening.
The mysterious butterflies can never be properly explained but I know that they are there as a barometer - they appear when my soul sings and soars with every tune that makes my heart beat and miraculously disappears when there is an eclipse.
Do you believe in butterflies?
I do.
And I think that the mysterious butterflies are there in all of us but it is up to the individual to recognize their existence - so that they can come to life.
Tuesday, May 18, 2010
Dance With Me [II]: Embracing Change
One of my team mates at dance has quit the team – just this evening.
People come and go so this is fine except for the fact that the choreography and formations would have be adjusted to fit seven bodies instead of eight and we have five working days and two rehearsals till show-time and guess who would be bearing the bulk of the changes?
Lucky me :)
Now, the good thing about this is that I am a late entrant – whilst the rest started with the choreography since January, I joined in only after my return from Shanghai in late March. Which means what I’d learnt has been in my muscle memory only for about six weeks (versus their 20) so I can always unlearn and relearn. The short time frame is challenging but it is achievable.
I figured that it really is about sizing up the situation, understanding the loss curve, dealing with uncertainty and most importantly, embracing change.
Throughout the two hours today, most of us landed up at different corners of the stage from where we were told we should end up originally. In other words – CHAOS.
But we stayed nimble, made necessary adjustments, compromised on our respective positions, re-aligned ourselves and ta-da! At the end of 120 minutes, it all seemed to have worked itself out. The key takeaways:-
1) Ego: Respect the leader (there can be only one since too many cooks spoil the broth) and know that it is about esprit de corps
2) Listen: Open up your mind (and ears) to grasp the big idea so you can execute your role properly
3) Space: Respect the other person’s space so that you can co-exist in peace on stage
4) Courage: Have the guts to tell yourself that you can take on any challenges (and changes)
5) Agility: Have the flexibility to unlearn and relearn at short notice
6) Passion: need I say more?
I never understood why dance has never been considered a team activity in the corporate arena because every single dancer (be it amateur or professional) worth their salt knows that in a full on choreo, you can only be as good as the next person – any body/ bodies out of sync would ruin one good piece of performing art.
It’s funny how these dance anecdotes dawned upon me only in recent years. Someone once told me that I am a very late bloomer but 24 years is stretching it a bit.
Now all I have to do is figure out how to get the 60% change in my choreo and new positionings into thy system by noon on Saturday!
Tell me to break a leg!
People come and go so this is fine except for the fact that the choreography and formations would have be adjusted to fit seven bodies instead of eight and we have five working days and two rehearsals till show-time and guess who would be bearing the bulk of the changes?
Lucky me :)
Now, the good thing about this is that I am a late entrant – whilst the rest started with the choreography since January, I joined in only after my return from Shanghai in late March. Which means what I’d learnt has been in my muscle memory only for about six weeks (versus their 20) so I can always unlearn and relearn. The short time frame is challenging but it is achievable.
I figured that it really is about sizing up the situation, understanding the loss curve, dealing with uncertainty and most importantly, embracing change.
Throughout the two hours today, most of us landed up at different corners of the stage from where we were told we should end up originally. In other words – CHAOS.
But we stayed nimble, made necessary adjustments, compromised on our respective positions, re-aligned ourselves and ta-da! At the end of 120 minutes, it all seemed to have worked itself out. The key takeaways:-
1) Ego: Respect the leader (there can be only one since too many cooks spoil the broth) and know that it is about esprit de corps
2) Listen: Open up your mind (and ears) to grasp the big idea so you can execute your role properly
3) Space: Respect the other person’s space so that you can co-exist in peace on stage
4) Courage: Have the guts to tell yourself that you can take on any challenges (and changes)
5) Agility: Have the flexibility to unlearn and relearn at short notice
6) Passion: need I say more?
I never understood why dance has never been considered a team activity in the corporate arena because every single dancer (be it amateur or professional) worth their salt knows that in a full on choreo, you can only be as good as the next person – any body/ bodies out of sync would ruin one good piece of performing art.
It’s funny how these dance anecdotes dawned upon me only in recent years. Someone once told me that I am a very late bloomer but 24 years is stretching it a bit.
Now all I have to do is figure out how to get the 60% change in my choreo and new positionings into thy system by noon on Saturday!
Tell me to break a leg!
Wednesday, May 12, 2010
Kindred Spirits | Light | Life | Public Relations
This is not meant to be a cryptic post but it is going to seem like it is because I am going to allow my thoughts to flow today.
Contrary to popular belief, the role of a comms manager is not a bed of roses. Comms/ PR or whatever you know and understand of my profession is not about looking good and shaking hands. It is a job that requires professionals with resilience to deal with things and situations at all levels; from high (strategic) to mid (task and execution) to low (getting your hands dirty to get something done - this includes crawling on all fours). Coming from a country that is big on education, I feel that it is important for this to be a preamble.
After going through a bizarre two months, I got to talking about the phrase, "surrounded yet alone" with my girlfriend today. Anything that you could imagine that could cross my life took place in the last two months. Without going into more detail, I will zoom in on this week, which consists of:-
1) system crashing when typing in Chinese
2) dealing with clueless and strange people (if you factor in egos, it's double the pain)
3) meeting tight deadlines
4) vertigo (the non-blonde way of saying "*faintz*")
5) last minute concalls
It's tough and I find it hard to explain to people, even to my very patient lunch partners about what I have to deal with. But then again, every job has its challenges :)
I took a train home with my gal pal today, after having to ignore my gal pals for an hour due to a concall that I got to know about at the eleventh hour, I had to explain what transpired in the last few weeks. When I got off at my regular train stop, it was raining cats and dogs. So, instead of taking my regular solitary walk, I meandered to the cab queue and waited. I patiently waited... and after three cabs passed and being in the queue for a good half an hour, I decided to start a conversation with the girl next in line.
My opening:-
"Hi, are you staying in the East? If so, we should consider sharing a cab since they are taking a loooooooong time to arrive"
she said, "yes. I am staying at xxxx"
which is the condo opposite mine.
so we got to talking. She thought that I was in law (I was in my signature black) and I thought the same of her and we happen to be the same age and in the same profession (and situation), managing the same region. *very bizarre*
So for the next half an hour, we shared work woes, industry sentiments and for the first time in eight weeks, I realised that I am not alone!
Perhaps it is God's way of telling me that He is beside me every step of the way but I was almost in tears when we both agreed that the best five minutes of a work day are the five minutes spent writing on and sealing an envelope because it is so brainless.
I thank God that I have a community and even though I may not meet them at work, at least I meet my comrades in taxi queues.
So yes, I now have a neighbour who jogs the same route (though she has much more stamina), who has common friends with me, grew up in the same neighbourhood in the Eastern side of Singapore with me and is able to share my work woes.
Like me, Like me.
What a great way to seal the mid-week.
Contrary to popular belief, the role of a comms manager is not a bed of roses. Comms/ PR or whatever you know and understand of my profession is not about looking good and shaking hands. It is a job that requires professionals with resilience to deal with things and situations at all levels; from high (strategic) to mid (task and execution) to low (getting your hands dirty to get something done - this includes crawling on all fours). Coming from a country that is big on education, I feel that it is important for this to be a preamble.
After going through a bizarre two months, I got to talking about the phrase, "surrounded yet alone" with my girlfriend today. Anything that you could imagine that could cross my life took place in the last two months. Without going into more detail, I will zoom in on this week, which consists of:-
1) system crashing when typing in Chinese
2) dealing with clueless and strange people (if you factor in egos, it's double the pain)
3) meeting tight deadlines
4) vertigo (the non-blonde way of saying "*faintz*")
5) last minute concalls
It's tough and I find it hard to explain to people, even to my very patient lunch partners about what I have to deal with. But then again, every job has its challenges :)
I took a train home with my gal pal today, after having to ignore my gal pals for an hour due to a concall that I got to know about at the eleventh hour, I had to explain what transpired in the last few weeks. When I got off at my regular train stop, it was raining cats and dogs. So, instead of taking my regular solitary walk, I meandered to the cab queue and waited. I patiently waited... and after three cabs passed and being in the queue for a good half an hour, I decided to start a conversation with the girl next in line.
My opening:-
"Hi, are you staying in the East? If so, we should consider sharing a cab since they are taking a loooooooong time to arrive"
she said, "yes. I am staying at xxxx"
which is the condo opposite mine.
so we got to talking. She thought that I was in law (I was in my signature black) and I thought the same of her and we happen to be the same age and in the same profession (and situation), managing the same region. *very bizarre*
So for the next half an hour, we shared work woes, industry sentiments and for the first time in eight weeks, I realised that I am not alone!
Perhaps it is God's way of telling me that He is beside me every step of the way but I was almost in tears when we both agreed that the best five minutes of a work day are the five minutes spent writing on and sealing an envelope because it is so brainless.
I thank God that I have a community and even though I may not meet them at work, at least I meet my comrades in taxi queues.
So yes, I now have a neighbour who jogs the same route (though she has much more stamina), who has common friends with me, grew up in the same neighbourhood in the Eastern side of Singapore with me and is able to share my work woes.
Like me, Like me.
What a great way to seal the mid-week.
Subscribe to:
Posts (Atom)